All tagged writing about tragedy

Better Days

Sara Stratton
love story

I grew up on fairy tales. They always begin, “Once upon a time …” and always end, “… they lived happily ever after.” My romance novels are like that. They’re set in the Texas Panhandle of the 1950s, but actually they could be set anywhere, anytime. The town and the county where they take place are fictional. The characters—usually two young people—face a series of impossible obstacles to their love, but in the end they overcome the odds, kiss, marry, and live happily ever after—à la Hallmark, Disney, and traditional Hollywood. So when my Chinese international student friend, Doris, sent me to see the current Chinese blockbuster movie, Better Days, of course I interpreted it in the same way I would an American movie.

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What Would Happen If Your Culture Was Disappeared and Erased?

Sara Stratton
historical fiction, being an author

Once upon a time, the Comanche people ruled the Texas Panhandle. Then they were disappeared and erased—saw both genocide and “cultural genocide.” Tammie’s Destiny, Volume 6 of my historical romance series, tells the coming-of-age story and forbidden love between an adolescent Comanche girl from a reservation in New Mexico and a young man from a Texas millionaire ranching family. The tale’s background is the generational hatred between Texans and Native Americans, seemingly making such a relationship impossible.

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A Pilot of the Flying Tigers - Character Development for Nadya

Sara Stratton
being an author, historical fiction

The first chapter of my latest novel, Nadya: The Restoration of a Flying Tiger, is autobiographical. The little boy, “Jimmy Dade,” is me. The man, “Howie Hill,” is one of the Smyer brothers—embarrassingly I don’t remember his first name … maybe “Paul.” I remember so well the day I met him. It was the first time I realized what war does to a warrior. Like Chennault, he was a hero, but no book has been written about him, and he hasn’t even merited a footnote. As far as I know, no one in Amarillo remembers him or knows anything about him. His mother, his father and his brothers are long deceased. The Air Force undoubtedly didn’t know that he had died and so it furnished no marker for his grave, wherever it might be. Again embarrassingly, I forgot to put “Flying Tiger Smyer” in my novel’s Acknowledgements, even though he was the reason I wrote the book.

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Tragedy & Romance: Do They Go Together?

Sara Stratton
being an author

“1847 … that’s when it began,” my elderly Irish-born pastor replied, when I told him that my ancestors immigrated to America from Eire because of the potato famine. After Palm Sunday mass, Monsignor had come into the parish hall and sat down where I was having coffee and doughnuts. Somehow, the conversation led to the greatest tragedy in the history of his homeland.

“Genocide,” he then quietly commented. “That year—1847—saw the most abundant wheat harvest ever. But the English exported it—to feed the British army, and they deliberately left the Irish field workers to either starve or emigrate. The only crop the workers had been allowed to grow in their little gardens was potatoes. But that year, the potatoes turned black and the vines died.  Our island’s population went from eight million to one million. … Genocide. … Tragedy.”

“But Father, good came from it,” I told him. “… at least for my family. … Romance: My famine-exiled great-grandparents met on the boat to New York, fell in love and married as soon as they landed. … So for me, tragedy and romance go together. … I’m writing a novel about it.”

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